Newmarket International Festival of One Act Plays - 2026 Season

Welcome to the 2026 Newmarket International Festival of One Act Plays. The NIFOAP runs from Thursday September 10 to Sunday, September 13 at Newmarket’s Old Town Hall, 460 Botsford St and will feature both evening and matinee shows and be fully aphasia accessible. We thank the reading committee for their diligent work in choosing an exciting season line-up of plays for you!

Here are the winning plays (performance nights yet to be announced). 

The NIFOAP will once again feature an exciting opening night pre-show Red Carpet Party, including live ambient entertainment followed by the evening’s plays. This opening night gala event has become very popular so be sure and get your tickets (newtix.ca).

Watch this page for our workshops – to be annnounced.

We are also offering limited space free workshops for young and aspiring writers, directors and actors. Two will be online, one will be in person Saturday Sept 12 at 10am Newmarket’s Old Town Hall at 460 Botsford Street in the heart of downtown Newmarket.

Play Tickets can be pre-ordered online or are available during boxoffice hours at New Roads Theatre or a half hour before the shows @ Old Town Hall.

All Tickets @ Newtix.ca

Ticket Prices

Opening Night Red Carpet Party includes pre-show entertainment, charcuterie, hors deuvres, Cash bar – $40. 

At the door $30 per person – $25 for seniors/students.

Every other show Advanced tickets $25 person – $20 seniors/students 

All Days Festival Passes $75.
All Days Festival Passes Early Bird Special $50 (if purchased before July 1).

Dinner & A Show Opening Night – $80 per person
Dinner & A Show each other night $65 per person

Show admission for one person, plus up to $50 towards dinner at select restaurant locations nearby, tip not included. 

Restaurant locations coming soon!

Thursday September 10 to Sunday September 13th.

Join us in Newmarket’s Old Town Hall at 460 Botsford Street in the heart of downtown Newmarket.

Featured Plays and Playwrights:

  • Character Flaws!!! by Reginald T. Jackson (Brooklyn, USA)
  • Cosmo Girls by Lawrie Carruthers (Toronto, Canada)
  • The Hunchback of Marshall Avenue by Randy Gross (Enola, PA, USA)
  • Just Asking by Cary Pepper (San Francisco, USA)
  • Pigeon… Whole by Ken Green (Boston, USA)
  • Red Comet by Len Cuthbert (Mt. Brydges, Canada)
  • Such Dreams as Stuff is Made On by Dan McGeehan (Chicago, USA)
  • The Big Sneeze (or Much Achoo About Nothing) by Morey Norkin (Saga-Ken, Japan)

Live Staged Readings:

  • A Happy Child by Natalya Torzhevska (Ukraine)
  • Bug Rescuing by Judy Klass (Nashville, USA)
  • Unbridled Fear by Donald Loftus (New York City, USA)
  • Unmasked at Dawn by Emma Inglis (Devon, UK)

The Live Staged Readings will take place at various dates and locations, to be announced.

Our first pre-festival staged play reading

Will be held at the 3rd Annual seniors expo. @ Newmarket Community Centre and Lions Hall, 200 Doug Duncan Drive, Newmarket.

The free event, hosted by local MPP Dawn Gallagher Murphy, runs Friday June 5 from 9am- 1 pm.

The play we are presenting is called “Unbridled Fear” written by Donald Loftus of New York City.

 
It will read by Actors Tom Pearson and Marlene Charney.
 
The VUTC will also have member Kira Rosenbloom there explaining about/how she is preparing this year’s Newmarket International Festival of One Act Plays to be fully #Aphasia accessible which we believe to be a Canadian first. #livetheatre #stagedreadings

Our Special Events and Activities

Discover a variety of special events and activities that complement the Newmarket International Festival of One Act Plays.

From opening night celebrations to community fundraisers, there’s something for everyone to enjoy.

Join us for an unforgettable theatrical experience and support local arts initiatives.

2026 Playwrights

Reginald T Jackson

Character Flaws!!! 

His play DEE’S DILEMNA was produced in Houston, TX by the FADE TO BLACK FESTIVAL in June 2024.  His play BLACK IN THE FIRST DEGREE was produced Off-Broadway by the Downtown Urban Arts Festival June 2025. DEE’s DILEMNA was chosen as the best of the best short plays and was produced again in Houston Texas in June 2025.  His play BLACK IN THE FIRST DEGREE was selected by the International Human Rights Art Festival was produced off-broadway at the Tank Theater on December 13, 2025.  His play PERSONAL PURGATORY was featured in the PLAYERS THEATRE LUV FESTIVAL in February 2026. His play WHEN WE PRACTICE TO DECEIVE will be featured in the FRESH FRUIT FESTIVAL in April 2026. His play CRABS IN A BARREL will be featured in the MIDTOWN INTERNATIONAL THEATRE FESTIVAL July 2026.   

Len Cuthbert

Red Comet 

Len Cuthbert is the founding director of the NPO Fridge Door Live Theatre Company. His plays have been staged in Canada, US and Europe. His collection of short plays, Reunited Shorts, is available through Dramatic Publishing and his meta-comedy, 107, through Original Works Publishing. A music version of his historical fiction play, Lawrence Station, will be staged in Shedden and Strathroy in October 2026. www.LenCuthbert.com

Dan McGeehan

Such Dreams as Stuff is Made On

Dan McGeehan is an award-winning actor, director, playwright, and illustrator. He studied at Philadelphia’s Arden Theatre and has over 100 productions to his credit. He is the author of a number of short plays, including “A Long Trip,” which is one of the most performed short scripts in America. In 2020, Dan worked with composer Jordan Kuspa in adapting “A Long Trip” into an opera which premiered in Boston in 2023.

Randy Lee Gross

The Hunchback of Marshall Avenue

Playwright, screenwriter, and poet Randy Lee Gross has had plays presented in thirteen U.S. states and also in London and Sydney. His full-length play, “The Naugahyde Man,” was awarded the prestigious Pacific/Rim Prize as part of the 2020 Kumu Kahua/UHM Theatre Department Playwriting Contest; his full-length play, “The Haunted Train,” received an off-off Broadway production – with music – at Theatre for The New City in October 2015; and his play “Bread” was included in “The Best Ten-Minute Plays of 2015” (Smith & Kraus, Inc.). Most recently, his full-length play, “Vegan Vampires from Vermont,” was a semifinalist in the 2023 Dramatists Guild Virtual Musical Theatre Fellowship competition.

Cary Pepper

Just Asking

Cary Pepper has had work presented throughout the United States and internationally.

Among his full-length plays, How It Works won the 2012 Ashland New Plays Festival and Cufflinked was a semifinalist for the 2014 festival. Among his one-act plays, The Walrus Said won the Religious Arts Guild Playwriting Competition; Small Things won the Tennessee Williams/New Orleans Literary Festival One Act Play Contest; Party Favors won the Goshen Peace Play Contest. Most recently, From the Hoot won the Playwrights First Award, Small Things became his fourth production by Drip Action Theatre Trail (UK), House of the Holy Moment marked Cary’s fourth appearance in the Newmarket International Festival of One Act Plays (Canada), and What Do They Want? made him the first playwright to be included in The St. Louis Actors’ Studio’s LaBute New Theater Festival three times.

Cary is a member of the Dramatists Guild, and a four-time contributor to Applause Books’ Best American Short Plays series.

Ken Green

Pigeon…Whole

KEN GREEN
is a Chicagoan currently residing in Boston’s Dorchester neighborhood. His plays  include “In The Back/On The Floor,” produced by Chicago’s Stage Left Theater in the Spring of 2023,  “July 5,” a full-length audio drama on the life of Frederick Douglass and commissioned by New York  City’s Ensemble for the Romantic Century, “The F&L at 1330,” a full-length play that received a  workshop performances as part of Moonbox Production’s Boston’s New Works Festival 2023, and  “The Charles Lenox Experience,” a historical “moving play” commissioned and produced by New  Repertory Theater in Watertown, Mass. in 2020. Other plays include “The Campaign,” “Your  Favorite,” and “…And Then There’s Aaron Burr,” all featured at the Boston Theater Marathon. 

Ken is a former Chicago news and sports reporter and editor, bad slam poet, and worse standup  comedian. He was co-host/co-producer of Story Club Boston, a storytelling/reading series. He has  been featured on the nationally televised storytelling show, “Stories from the Stage” on PBS and has  been a local Moth and Massmouth storytelling finalist. 

PLAYS  

I Can Do Evil All By Myself Fade to Black Festival, Houston, 2024 Voices of Color One-Act Play Festival, Carrollwood Players  Theater, Tampa, (Voted Audience Favorite) 2025 

Apple, The Universe, and Boston Theater Marathon 2024 

Lawrie Carruthers

Cosmo Girls

Lawrie  is a Toronto-based playwright, performer and producer.  Her one-act play Cosmo Girls was first performed in Toronto at the 2025 New Ideas Festival at the Alumnae Theatre, and her first full-length play Maya and Roan premiered at Toronto’s Red Sandcastle Theatre this spring.

Morey Norkin

The Big Sneeze (or Much Achoo About Nothing)

Morey Norkin is a retired technical writer/proposal manager from Maryland now living in Japan.

After many years of involvement in Annapolis area community theaters, he took up playwriting in 2019.

Morey’s work has received productions from the Jewish Plays Project, Short+Sweet Sydney, GreenMan
Theatre Troupe (Chicago), ATC Studios (New Jersey), Grand Drama and Comedy Club (Arizona), Dominion
Stage (Virginia), Colonial Players (Maryland), and podcasts by Broken Arts Entertainment and Theatrical
Shenanigans.

collection of plays can be found at:
https://newplayexchange.org/users/70395/morey-norkin

Live Staged Readings

Donald Loftus

Unbridled Fear

Donald Loftus is a New York–based playwright, librettist, and lyricist whose work spans full-length plays, one-acts, and original musicals. His writing often explores memory, resilience, family, and the quiet humor found in everyday human contradictions. His plays have been produced in a variety of settings—regional theatres, festivals, workshops, and community stages in the United States and abroad—allowing him to collaborate with artists of many backgrounds and perspectives.

His full-length works include The Springvale Armadillo, PER, The Archway, The Office Complex, and Driftwood. He has also written the book and lyrics for several musicals, including Abby Victoria, Pollyanna, ’Round Duffy Square, and Illusion, a project he continues to develop with composer Steve Zackim. Loftus’s one-acts, among them Ruby, Night Light, Amusing Willie, Eddy & Edna, and The Brother’s Grin, have been featured in numerous readings and new-play festivals, appreciated for their directness, humor, and emotional clarity.

Loftus values collaboration, revision, and the shared discovery that happens in rehearsal rooms. He remains committed to developing work that invites connection, encourages conversation, and gives actors compelling material to bring to life onstage.

He is proud to serve on The Board of Directors of The Dramatist Guild
Foundation.

Emma Inglis

Unmasked at Dawn

Emma Inglis is a writer and editor based in Devon, and the founder of Anthophile, an independent arts and literary magazine. Her journalism has appeared in The English Garden, Gardens Illustrated, The Telegraph, Condé Nast Traveller, Hortus, and elsewhere.

After years working in journalism, she has returned to her first love: storytelling for the stage and page. She is drawn to flawed characters facing impossible choices, to the small acts of courage that define us, and the quiet fault lines beneath ordinary lives.

She is currently developing The Plants Are Screaming, a psychological thriller begun during the Faber & Faber six-month novel-writing course, and enjoying exploring how tension, interiority, and dark wit operate differently, and sometimes more dangerously, on stage.

Nataliya Torzhevska

A Happy Child

Nataliya Torzhevska is a playwright, psychologist, and journalist who lives and works in Ukraine.

Winner of the international literary competition “We After February 24”, organized by House of Europe.

Finalist of the international literary competition Aurora (Poland), as well as the playwright competitions Week of Contemporary Play and Drama.UA (Ukraine).

As a playwright, she works with themes of identity, loss, and grief, and also creates works for children.

Judy Klass

Bug Rescuing

  • Eight of her full-length plays and 42 of her one-acts have been produced onstage. A number of her plays, short and long, have been produced as podcasts.
    Judy’s full-length play Cell was nominated for an Edgar, and is published by Samuel French/Concord Theatricals.

  • Her full-length play A er Tartuffe was in the Fresh Fruit Festival and is published by Next Stage Press.

  • Her full length play Country Fried Murder won the SOPS award and was produced at the Shawnee Playhouse in Pennsylvania. It is published by Lazy Bee Scripts in the UK.

  • Her full-length play Stop Me If You’ve Heard This One won the Dorothy Silver Award. It came in Second in the Clash of the Playwrights and was produced in Nashville.

More...
  • Her full-length play Transatlantic was produced in NYC twice.

  • Three of her short plays are published, each as a stand-alone script, by Brooklyn Publishers.
    Another short play is in press there.

  • Several of her short plays are licensed by Tiny Scripted.

  • Two of her short plays were filmed during the pandemic and stream from The Shelter Plays site.

  • Two of her short plays won in their category in the William Faulkner Literary Competition: in 2019 and 2021.

  • Many of her short plays have had multiple productions, all over the US. A few have been produced in the UK, Ireland, Canada and Australia. Two have been translated into Ukrainian and had staged readings in Kharkiv.

  • Short plays of hers have been published in magazines like Seven Hills Review, Rushing Thru the Dark, Corvus, some scripts literary magazine, Ponder Review and Synkroniciti , and in anthologies like The Art of the One-Act and The Best New Ten-Minute Plays 2021.

    There is more information at www.judyklass.com

Explore the 2026 Festival: A diverse selection of one-act plays.

Get ready for an unforgettable theatrical experience! Our 2025 festival program features a curated collection of one-act plays from talented playwrights and directors. Discover the dates, times, and synopses of each performance to plan your visit.

Character Flaws!!!
Marcus is a professional writer going through a severe writer’s block. He tries everything to get the juices flowing but no go. Then he is visited by three of his characters that he created. Each character has come to convince Marcus to pick up their story and it will break his writer’s block. Do they help or hinder him?!
Cosmo Girls
Two long-time friends in a hospital waiting room use humour and old Cosmopolitan magazines to distract from their fear as they await the results of a breast biopsy. Beneath the jokes , anxieties about aging, marriage, illness and loss surface. Ultimately the play affirms the resilience and life-saving power of female friendship.
The Hunchback of Marshall Avenue
A lonely businessman encounters a misshapen man during his daily walks to the train station, and discovers the true meaning of beauty.
Just Asking
Roger knows Mrs. Mendelson can’t be in contact with the dead. Then why, each time he returns with another legal document, does she know more and more about his childhood?
Pigeon...Whole
In a major city, surrounded by millions just like him, a resident suffers an identity crisis and begins to question his place in the universe, or at least the city. As he begins to fear he’ll always be another face in the crowd, a friend shows him not only is he unique, but others depend on him to be unique. A play about Cheetos, learning to walk, and realizing that if you feel you don’t have hope, it might be because you ARE hope.
Red Comet
Red Comet follows GRAY, a logic-driven high school senior rebuilding a 1971 Ford Mercury Comet to stay connected to his late father, and ROSE, his artistic, emotionally guided best friend. As graduation nears, their once-stable friendship strains under jealousy, missed moments, and the fear of being left behind. The Comet becomes a rolling symbol of their shared memories, unspoken feelings, and opposing ways of seeing the world. When ROSE reveals she may be moving across the world after graduation, both are forced to confront what they truly mean to each other. Red Comet explores whether friendship—and love—can survive change, or if some risks must finally be taken before time runs out.
The Big Sneeze (or Much Achoo About Nothing)
The Big Sneeze (or Much Achoo About Nothing) is a romantic comedy that attempts to answer the question: Can a fractured rib mend a broken heart? A backstage romance between assistant stage manager Pam and Touchstone, played by Larry, seems to be brewing. But Larry is nervous, and a backstage sneeze only makes matters worse. A disastrous pickleball match, a wedding toast gone awry, and two visits to the hospital are all that stand in the way of true love.
Such Dreams As Stuff Is Made On
An upscale couple are surprised to find their house was broken into; they are more surprised to find that nothing was stolen; and they are most surprised when the burglars return with a message.

Live Staged Readings

Live Staged Readings

Unbridled Fear
UNBRIDLED FEAR is a surreal, two-hander in which Ruby, a young bride who faints at the altar, awakens inside a circus tent clutching a frying pan and confronting her terror of commitment. Guided by Wankie, a world-weary clown with a philosopher’s soul, she retraces the moments that led her there and faces the panic beneath her joy. Through wit, absurdity, and unexpected tenderness, the circus becomes a metaphor for love’s risks and rewards. As Wankie reveals his own regrets, Ruby learns to reframe fear not as a warning, but as part of the leap itself. Reclaimed by courage, she returns to her wedding ready to choose love and say “I do.”
Unmasked at Dawn
In 1972, in a small salon at a chateau on the outskirts of Paris, three icons linger after a night of excess following a masquerade ball: Baroness Marie-Hélène de Rothschild, the surrealist Salvador Dalí, and a glittering, intoxicated Elizabeth Taylor. What begins as a playful conversation, soon becomes an unmasking of confession and ego as they confront the cost of artifice, celebrity, and mortality. Inspired by a true event, Unmasked at Dawn is a one-act play about performance as survival, and the terror of silence when it ends, that feels uncannily of our time.
A Happy Child
A Happy Child is a dark, poetic monologue told from the perspective of a five-year-old boy whose parents have been executed. Over the course of a single day, he moves through his village, trying to understand events using the logic of childhood, where soldiers are “guests” and violence is just adult work. Searching for “his own people,” he encounters fear, silence, and destruction. Objects and rituals—candies on a Christmas tree, toys, a school planner—become his anchors as he carefully records the day. Through the child’s unprotected voice, the play reveals how war and state violence become normalized and how survival begins with misunderstanding.
Bug Rescuing
Joan is an introvert artist who feels out of place on a corporate/partying Caribbean trip with Michael. She sits poolside, fishing drowned and half-drowned bugs out of the water. Michael agrees they’re different, but he makes the case that their relationship can work.